This name is also used when a font is generated from this Fontographer file for font file names and font format table information. The name will be used to create a Fontographer file when a new Fontographer file is saved. Here you can name this font, set the style, encoding, metrics and insert a copyright notice. Selecting the 'Element' menu and 'Font Info.' displays the Font Information dialog. The initial default settings are for a Macintosh PostScript font. NOTE: The original versions of Fontographer were made to create PostScript fonts. Then from the 'File' menu select 'New Font.' A window is displayed for an Untitled-1 font. Working with Fontographer, there are several settings and procedures you should be aware of. In this section, we'll discuss using Macromedia Fontographer 4.1 for the Macintosh to create a TrueType file that can be used with Visual TrueType.įor information about how to draw using Fontographer and more indepth aspects of the program, see the Fontographer User's Manual or an excellent book "Fontographer: Type by Design" by Stephen Moye, Published by MIS Press (1995) ISBN: 1558284478. You can obtain similar results with the method described below.
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The only difference was I also used two additional professional tools: one an outline conversion tool and the other a TrueType table tool. The methods I used in the design process for Trebuchet made it easy for me to also hint the final font file.Īfter I completed the outlines, I used a method similar to the one described in the next section. This is not always the case in the design of all fonts, especially less modern designs. I used consistent stem distances, accurate group height alignments and zero tolerances for straight strokes and point alignments. Trebuchet is a sans serif typeface with modern geometric features. Starting with outlines I created for a previous project, which was an unreleased grotesque style design. Trebuchet was a project intended to be a clean screen reading font, as well as a scalable printing outline font.Īfter working through drawings and individual images, I started the outlines using Macromedia Fontographer 4.1 for the Macintosh.
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The current TrueType production process is split: with the design and hinting process done on a Macintosh, and the testing of the font file on Windows.
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Always keep in mind that if you start with bad outlines, you can't improve them later. An example of a problem is if, a glyph is suppose to be on the baseline and it is not or if a stem is suppose to be exactly straight and it is not, extra hints would be needed to make them correct. A higher quality process is necessary to prepare a font file for hinting to insure that the minimum amounts of instructions are used in the final font file. Often designers mark béziers without paying attention to how exact the bézier point markings are positioned. Acceptable print quality can be achieved with a bézier font program without the use of standardized marking procedures required by professional type foundries. Many typefaces are drawn with bézier drawing programs or commercial bézier based font programs and made into PostScript font files. Today two of the most common ways typefaces have been stored as sources are in an Ikarus or a PostScript format. In this article Preparing a Typeface for TrueTypeĪll typefaces and font sources need to be prepared before a TrueType hinting project can be started.